Collecting and Preserving Aviation Art Prints

Here are some definitions of terms that you may encounter as you build your collection. Also, some helpful tips on proper framing and handling are listed. Should you have any questions, please do not hesitate to contact us.

A print from a predetermined number of impressions made from a plate, after which no more impressions are to be taken. It is individually signed and numbered in pencil by the artist and often by the pilots and crew members represented in the work. Usually only one edition is reproduced, and printed on better paper. A certificate of authenticity generally accompanies the print. Printing plates and negatives are destroyed after the print run has been completed to ensure that it will never be reproduced again.

Also known as A/P. Prints outside the edition that are equal in quality to the edition and signed as Artist Proof or A/P. They are traditionally the property of the artist and usually limited to 10% of the edition. Artist Proofs usually carry a higher value.

Remarque is a small original sketch, drawing or painting done by the artist in the margin of the finished print. Limited edition prints are sometimes offered with a remarque and command a higher price.

These prints have no set numerical limit and are printed to meet the demand of the market. It is similar to a poster without the type around it. Some open edition prints are signed by the artist.

A computer-generated reproduction made with an ultra-high-quality inkjet printer. It may also include hand work by the artist.

Offset lithograph that has been adhered to canvas and then coated with clear acrylic medium for texture and protection.

Always take special care when handling your prints. Art prints are very delicate and rough handling can crease or dent the paper. Fingerprints can permanently damage the print surface.

Never store prints rolled up in a tube. Store your prints flat whenever possible. Prints should be protected with acid-free rag papers when stored. Corrugated cardboards are very acidic and can cause damage to your prints. Storing on metal shelving is not recommended.

Limited edition prints should never be trimmed or dry mounted since this will decrease the collector’s value of your prints. Conservation quality mats, backing board and ultraviolet light filtering glazing is recommended for proper framing.

Light, heat, and moisture are damaging to artwork. Even with proper framing, direct or indirect sunlight, fluorescent light, extreme temperatures and high levels of humidity should be avoided.